No bio found.
"Trilog"
Oil on Canvas
1) 7in x 9 7/8in or 17.5cm x 24.5cm 2)6in x 9in or 15cm x 22.5cm 3)13 7/8in x 18 7/8in or 34.5cm x 46cm
1983
Federico Aguilar Alcuaz (1932–2011), National Artist for Visual Arts (2009), was one of the most prolific Filipino modernists of his generation. Best known for his gestural paintings in acrylic and oil, he also created works in watercolor, ink, ceramics, tapestries, and relief sculptures, which he called “Alcuazaics.”
A graduate of the UP College of Fine Arts and Ateneo de Manila Law School, he pursued further studies at the Academia de Bellas Artes de San Fernando in Madrid. Living between Europe and the Philippines, he built an international career with exhibitions in Spain, Germany, and Manila.
Alcuaz’s art, celebrated for its refinement, European flair, and playful yet harmonious use of light and color, helped define the second generation of Filipino modernists alongside peers such as Jose Joya, Fernando Zobel, and Arturo Luz. His legacy endures as a cornerstone of Philippine abstract and modern art.
Bio from NCCA
No bio found.
No bio found.
Manuel Baldemor is a Filipino painter, sculptor, printmaker, writer and book illustrator. He was born on March 26, 1947, in Paete, Laguna, Philippines. He is best known for his paintings on various media that depict scenes in simplified geometric forms with a folk art character. Most of his subjects in art are his hometown, its people, their everyday activities, and their celebrations.
His works are known not only in the Philippines but also in other countries. He is an artist-in-residence in Chile, Estonia, France, Israel, Japan, Singapore, Switzerland and Portugal. His works is known internationally because UNICEF is reproducing his works as greeting cards that are distributed worldwide.
Bio from Wikipedia
No bio found.
No bio found.
Carlo Magno (b. 1960) is a versatile Filipino painter and sculptor whose career has been marked by bold transformations. Trained initially in architecture and later in fine arts at PWU under Raul Isidro, he first gained recognition in the 1980s for his hyperrealist works of Filipiniana subjects, landscapes, and cultural artifacts. By the early 2000s, Magno shifted toward abstraction, embracing gestural brushwork, dynamic textures, and minimalist forms influenced by Asian philosophy and Abstract Expressionism.
Known as a “Master of Light,” his luminous red-toned canvases and mixed-media works—often layered with sand, metallic hues, and calligraphic elements—evoke both energy and contemplation. His sculptural practice, characterized by stainless steel geometric forms, further explores space, volume, and simplicity.
With over 20 solo exhibitions in the Philippines and abroad, Magno’s art continues to engage viewers in introspection, offering stability, serenity, and resonance. His recent series Formal Parallels showcases his evolving mastery, combining depth, balance, and material experimentation across painting, sculpture, and 3D-printed reliefs.
Bio from Art+ Magazine
We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.